To what extent should TV news coverage be driven by the quality of Essay

To what extent should TV news coverage be driven by the quality of footage available, prioritised over the quality of a story - Essay Example The major consideration in the selection of news is the quality of presented content. This seeks to offer the viewers the best coverage within a certain area. In news coverage, certain pieces of news are considered paramount and more important than others depending on the section under which the news falls. Immediacy and importance of certain subject to the populace are the two criteria utilized in the determination of content that ought to be presented in news coverage (Gripsrud 1999, 56). In accordance with this, coverage of the world news, the relative significance of certain occurrences that ought to be covered on the news, are measured against other criteria such as power and distance. This implies that occurrences that have greater influence on the structures of power and prominence within a given society are greatly considered compared to other events that have little influence on this area (Gripsrud 1999, 56). Events that are appreciably associated or connected to the society attain greater coverage than other events, which have no connection or association to the society. Certainly, magnificent disasters that emanate from remote regions coupled with available footage have a propensity of getting into television news (Gripsrud 1999, 56). These events meet the criteria for television news on the grounds of immediacy. The makes the presence of footage for certain events direct to prioritization over the quality of the offered stories. Quality of footage has been improved to a greater extent through novel news technologies that have been directed by the demand. These technologies offer newsrooms with instantaneous content that increase the work for news creation staff, since it offers diversity and difficulty in choosing the most imperative and striking news footage or stories. These technologies allow the populace to experience news live as the events transpire in the real world. Numerous considerations are made concerning news coverage with other criteri a being secondary to the earlier mentioned criteria of immediacy and imperativeness (Gripsrud 1999, 56). Therefore, the quality of footage being offered is almost not considered in the presentation of news on television. This implies that the quality of footage is irrelevant within the news coverage context. For that reason, news has the capacity to acknowledge poor-quality news content and even poor quality speakers considering the subject of immediacy and significance of the presented events. These two factors are the principal considerations in the provision of footage that can either be quality or not. Therefore, these factors are considered as the determinants for the content that ought to be covered in television news. The populace is acquainted with the unaesthetic framing, presence of content that is captured through sudden pan shot, the dubious quality of the sound of the presented content, blurred images and other images presented under dazzling light (Gripsrud 1999, 56). This is considered wild footage that emanates from untamed world. Such content is considered imperative, despite the quality of content provided. The footage that has been presented is regarded a priority with regard to the quality of the story being presented. Bulletins for the news are developed, or created, by stitching these rushed, unreliable and poor quality contents from different sources (Gripsrud 1999,

Cultural Differences in Shakespeares Work

Cultural Differences in Shakespeares Work Shakespeare in Performance This essay will explore the cultural difference of two Shakespeare, Othello performances. The two performances used are Stuart Burges 1965 adaptation and Oliver Parkers 1995 version. William Shakespeare was born in 1564 the son of John Shakespeare a glove maker, and Mary Arden the daughter of a farmer. Within the Elizabethan class system Shakespeare wouldnt have be destined for great things as he wasnt born into a significantly wealthy family. It is possible that Shakespeare was brought up as Catholic; Romeo and Juliet is a Catholic play. Shakespeare attended grammar school In Stratford his education would have been very intense in language, Latin, Greek and possibly modern language like French, his schooling would have also been heavily religious. Shakespeare would have been expected to leave school and go into law grammar schools trained for professionals. Shakespeare didnt continue his education at university and age 18 married Anne Hathaway and lived a quiet life having his first child, Susanna in 1583 then twins Judith and Hamnet in 1585. Historical accounts of Shakespeare in the first seven years of his childrens lives are classed as lost years, due to ther e being no reliable accounts in this period. It wasnt until the late 1590s that Shakespeare was writing plays although in them times writers would write under a false name so critics couldnt dismiss their work. By around 1591, 1592 Shakespeare had written 57 plays in the space 20 years this is a colossal amount especially as a play writer in the Elizabethan period. Shakespeare died on the 23rd April 1616 the same day as his birthday. The importance of Setting The plot Othello is taken from an Italian story Un Captitano Moro some critics believe, written in 1565 by Giovanni Battista Giraldi Cinzio, the story about a Moorish general deceived into believing his wife is being unfaithful. Shakespeare added important characters to the story Iago, Roderigo, Desdemonas father and Brabantio, Shakespeare implies the action of the play runs over some course of time although it could be perceived as being set over a period of a few days. Shakespeare also developed the complex villain Iago compared to the minor one in the original. Shakespeares audience would have believed in The Great Chain of Being, that determined the natural order of events. God being the top of the hierarchical chain, Shakespeare used the Great Chain of Being as a concept to emphasise the tragedy in Othello and struggle with love and Desdemona and Iagos jealous passion. Othello, the Moor of Venice scholars believe was written in the period of 1601-1604, Queen Elizabeth had died in 1603, people worried what would become of governess since Elizabeths death a lot of the fear is portrayed through Shakespeares plays of successful succession and governance. The Protestant Church of England was created by Henry, Elizabeths father there was concerns that the religion might fail after Elizabeths death in a Catholic came to power, and a foreigner to rule. Although the title implies Othello occurred in Venice it took place in Cyprus, having said that Shakespeares stage directions are very basic and minimal so directors that remake Shakespeares pieces can decide where the plot is set. In the period when Shakespeare wrote Othello Venice was a Republic that thrived on multiculturalism, it was major for international trade, Venice had colonial power also respectful of different cultures and religions. Venice was a charming, safe, peaceful location. Cyprus when Shakespeare was in school was under power by the Ottoman Turks, Cyprus was the home of wine and prostitutes full of deception and death. Geographically located between the Middle East, Europe, Mediterranean and Northern Africa the religion is Christian and Muslim, a prime place for religious and racial violence. Although critics believe Othello was adapted by Hecatommithi, the time period that Shakespeare wrote Othello Venice would have been a highly important trading link between the East and Europe. Venice would have been sending ambassadors from Venice and the East to Elizabethan England Shakespeare may have studied theses exotic strangers. Venice and Turkey during the fifteenth and sixteenth centuries would have been at wars thus Othello being the general of the Venetian war. Shakespeare cleverly adapted a plot surrounding the issues of the day and explored a twist on race, jealousy and deceit. During the Elizabethan period, black people were not regarded as slaves, in 1601 Queen Elizabeth granted the diplomatic rights which allowed deportation, due to fears of overpopulation. Although the salve trade was not established during this time, the black race was considered inferior. Othello is a revolutionary cultural work, as the Moor Othello is portrayed as a civilized noble Christian who was wrongly deceived forced audiences to rethink the racial status during the early 16th century. Moor was a term used by the Elizabethans referring to Muslim Arabs or North Africa who had conquered Spain in the eighth century. Moors were Elizabethans believed, sinful, animalistic and murderous. It is interesting that Shakespeare represents Othello as the wrongly deceived victim, and Iago the Caucasian the typical More stereotype. Othello The tragedy of Othello, the Moor Whom Is general of Venice, promotes his lieutenant Cassio, leaving Iago enraged with jealousy. Othello fell in love and married Desdemona daughter of Brabantio, the Venetian senator. Iago uses Desdemona and Othellos love as a tactic in his revenge. Iago manipulates Othello into thinking his wife is having an affair with Cassio, Othello outraged kills Desdemona before killing himself the story concludes with Iagos unmasking and execution. Stuart Burges 1965 Othello Laurence Olivier The first English language film of the play Othello was released in December 1965 by director Burge, Burge was born in Brentwood Essex in January 1918 and died in 2002. Burge was the director of the Nottingham Playhouse between 1968-74 then went onto be artistic director at the Royal Court Theatre in over the period of 1977-80. This is the only Shakespeare adaptation that all leading actors were nominated for Oscars. The film was nearly exactly the same as stage production the release did not make use of music of exit music. Burges version of was the first English Othello shot in colour it had previously been done in Russian. This was the first of Shakespeares original text created into a full length British feature. Lawrence Olivier played Othello and acted in blackface, critics over the years have argued the origins of Othello being black or Arab. Othello has been played by white and more recently black actors, Laurence Oliviers version was performed in blackface. Olivier went into detail of his black face performance in his autobiography; Black all over my body, Max Factor 2880, then a lighter brown, then Negro number 2, a stronger brown. Brown on black to give a rich mahogany. Then the great trick: that glorious half yard of chiffon with which I polished myself all over until I shone the lips blueberry, the tight curled wig, the white of the eyes, whiter than ever, and the black, black sheen that covered my flesh and bones, glistening in the dressing room lights. (L. Olivier 1965) In Oliviers autobiography; Olivier, Laurence. Confessions of an Actor, Olivier proclaims in his and the directors minds the blackface wasnt done in a minstrelsy way it was done as costume to make him up as African with innocent intentions of playing Othello. The text Othello is not completely clear on Othellos race, subsequently because Shakespeare would not have been completed educated about the people that lived in North Africa. In 1966 the civil rights movement was at its highest in America racist discrimination and stereotypes were challenged the aesthetic of the Oliviers blackface was out of date and political incorrect.   Although in Europe, the civil rights movement wasnt as big as America with the last white actor blackface Othello taking place in 1990 by Michael Gambon. The New York Times published an article about Oliviers performance that stated; Outrageous impression of a theatrical Negro stereotype, Olivier an end man in an American minstrel show. (the New York times, Bosley Crowther) Burges adaptation of Othello definitely brings the issue of race to the forefront, most of the racial language is present as in the 1604 original text; thicklips, being the first derogatory offensive language aimed at Othello Act one, Scene one. Venice. A street. Roderigo: What a full fortune does the thicklips owe if he can carryt thus! References made by Othello regarding his race are interpreted as intended by Shakespeare, delivered with doubt; Act three, Scene three. The garden of the castle Othello: Haply, for I am black. Intending that because he is black, he is not as sophisticated as other people. Burge directed Olivier as a stereotypical African, exaggerated gesture and accent with his costumes ethnic and predominantly barefoot, with a rosary necklace. Burges performance has been regarded by critics as the greatest performance of the 20th century. (Peter Rainer) and was nominated for four Oscars, winning one. Olivier is the first of the great twentieth-century British actors who has created a brilliantly original interpretation of Othelloà ¢Ã¢â€š ¬Ã‚ ¦ (Oliviers) Othello is a man of gigantic stature but he is not a man of titanic thought; and by no means is he umo univerale, a man of many sided character, typical of the Renaissance. This Othello came into the world from a less civilised society. He Is very close to nature, to the earth. He has had no time to absorb the culture of the new world surrounding him. With all its glitter, this world is in fact trivial and meanà ¢Ã¢â€š ¬Ã‚ ¦ Othellos simple soul makes him vulnerable to the pretty contrivances of the environment. A civilization that is false and untrue kills the simple-minded manà ¢Ã¢â€š ¬Ã‚ ¦ this is what Olivier; the actor shows us. (in Tynan, Othello. National Theatre Production, 108). Every modern, white actor, takin on Othello, feels obliged to explain why hes not playing him black, which was surely Shakespeares intention, when the unspoken reason is that to black up is as disgusting these days as a nigger minstrel show. (Laurence Olivier, 1986) Each generation can use pieces of Shakespeares texts his writings are timeless, an Author who makes plays relatable to different generations thus why Othello has been adapted countless times since 1601, in some adaptations of Othello the play is portrayed mostly on the jealous and devious theme. Burges approach to play directions however have been deemed as a play about race. A film version of the 1965 production released on DVD by Warner Home Video in 2007. Oliviers blackface performance makes this film adaptation a difficult object of study, but since it makes Othello a play about race in a way so disturbing for postmodern sensibilities, it is a valuable tool for exploring racial difference as a theme. And especially for considering the plays particular resonance with contemporary racial politics. (R, C. Evans In an article by the New York Times published February, 1966 reporter Bosley Crowther describes how America portrayed Oliviers performance; Seeing as how the drama critics in England were unstinting in their praise of the lush stage production of Othello in which Sir Laurence Olivier played with the National Theatre of Great Britain a couple of years ago, it may seem rude of an American film critic to voice some startled expectations to the motion picture made of the play by a British company. One bold and singular aspect of this production immediately impels the sensitive American viewer into a baffled and discomfited attitude. This is the radical make up Sir Laurence has chosen to use in his powerful and passionate characterization of the jealous Moor. He plays Othello in blackface! Thats right, blackface not the dark-brown stain that even the most daring white actors do not nowadays wish to go beyond.   Whats more, he caps his shiny blackface with a wig of kinky black hair and he has the insides of his lips smeared and thickened with a startling raspberry red. Several times, in his rages or reflections, he roll s his eyes up into his head so that the whites gleam like small mil agates out of the inky face. (B. Crowther 1966) Burges adaptation of Othello is clearly one that caused a stir, with the controversial blackface. The period in which Burge adapted the version the culture was changing surrounding racism, racist terms and what is politically correct. Professor Tony Howard University of Warwick believes for Olivier race wasnt an issue, race was an interesting factor in the play and he chose to make it paramount. The result of that was that I know some black actors that saw the play and were appalled by his imitation of stereotypical behaviour, and I know other black actors who saw the play and were inspired to become Shakespearian actors because of the sheer admiration for what he did. (T. Howard 2013). Oliver Parkers 1995 Othello, Laurence Fishburne Oliver Parker an English film director born 6th September 1960, directed Othello played by a black actor Laurence Fishburne classed as not an outsider in this version as the actor is of African descent. Having said that the racial tensions and most of the racial language still applies in the film. Fishburne, plays a more confidant, cocky Othello in this version he also wears the same costumes as most of the cast, with earings in his ears he blends in well with the rest of the cast unlike in Oliviers version. The choice of music and camera shots sets the racial tension in a different way than previous adaptations with the use of drums during the consummation of Othello and Desdemona also during the Cyprus   celebration. The film doesnt generally focus on Othellos race but more so on the tragedy of the story and Iagos jealousy. Parkers adaptation is more satisfying as a film rather than Shakespearian text, the original text is very heavily cut with many original rhythms not included. The plot and characters remains the same as the original text and Burges, parker sets the film within the same time period and location as the two explored. Parkers version is however modernised and update some areas of the film, parker has changed the interpretation of Iagos character slightly also cutting much of the original text. Parkers use of Othellos dreams allow the audience access into Othellos agony over his suspected wifes adultery, this opened the door to the audience in a new light, something that the original monologue and Burge was unable to achieve. The issue of Race in Parkers version is watered down and limelights the character of Iago and his evil plan. Iagos direct camera soliloquies, via direct camera shots portrays his devious intentions, Iagos true nature is heightened in Parkers adaptation through this technique compare to Burge and the original text. In Act one, Scene three Iago shouts to Roderigo to put money and love into his purse Iago is trying to deceive Roderigo into giving him money so Iago will make Desdemona fall in love with Roderigo. When Iago leaves this scene, the camera zooms in on Iagos face to music building up that creates tension, Iago then recites this original quote from the text; Act one, scene three Iago: Thus, do I ever make my fool my purse: For I mine own gaind knowledge should profane, If I would time expend with such a snipe. But for my sport and profit. I hate the Moor: And it is thought abroad, that twixt my sheets He has done my office: I know not ift be true; But, I for more suspicious in that kind, Will do as if for surety. He holds me well; The better shall my purpose work on him. Cassios a proper man: let me see now: To get his place and to plume up my will In double knavery-how, how? Lets see: After some time, to abuse Othellos ear That he is too familiar with his wife. He hath a person and a smooth dispose To be suspected, framed to make women false. The moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. I havet. it is endgenderd. hell, and night Must brin this monstrous birth to the worlds light. During the speech by Roderigo, Parkers gives the audience a subsequent plot for throughout the play as to why Iago wants to kill Othello. Parker directs Iago to look straight into the camera whilst declaring his hatred for Othello this breaks the forth wall including the audience on the whole experience. Iago speaks in a hushed monotone to music playing in the background thus adding theatrical drama, the camera then pans down to a chessboard. Iago places a white queen, black king and a white knight on the board parker does this to replicate Desdemona, Othello and Cassio. The colour of the chess pieces also play a very clever crucial part in the film highlighting the racial but also the use of a chess board highlights the manipulation and game playing from Iago. Parker directs Fishburne to play overtly sexual compared with the Burge version and original text. Parkers directions continues shows Desdemona and Othello in bed together in a number of scenes to modernize the version to appeal to a different audience. Parker has Othellos dreams filled with adultery presented with Desdemona in bed naked with Cassio, in the Burge version the characters are a lot more innocent. Othellos visual image of Desdemona and Cassio, allows for his fear to come alive with the help of Iagos manipulation Othello remembers what Desdemonas father said to him; Act one, Scene 3 A Council-Chamber. Brabantio: Look to her, Moor, if thou hast eyes to see: She has deceived her father, and may thee. This line is continuously played in Othellos head throughout the film, giving Othello confirmation that the affair to real as Desdemona is deceiving him just as she did her father. Once you get to Act three, Scene three, its like being caught up in a huge surf. You are pounded by experiences and overwhelming feelings that oscillate violently. Sometimes within one sentence I go from passion and adoration to the most extreme expressions of loathing and self-hatred Ive ever had to try to get close to. (Laurence Fishburne, 1996) There are a few predominant themes that flow through both versions of Othello and the original text; Love, passion, jealousy, betrayal along with reputation and honour. love being the force that overcome a large obstacle in the marriage of Othello and Desdemona, although Othello loves Desdemona he gives her his heart he doesnt give her his mind and he doesnt trust her, he is deep down insecure.   Their love was tragically lost by the passion of Iago and his jealousy love to Iago is leverage, he declared his love to his friends but does the ultimate betrayal. The love between Cassio and Desdemona that is misinterpreted. Passion comes from Othello and Desdemona two lovers that political looked down on for the marriage but still going ahead with their passion anyway. Jealousy is a trait that is both in Othello and strongly Iago. Multiculturalism, Religious Suspicion and Racism. The Venetian Republic was known as a culturally tolerant society, that welcomes cultural traditions, however Othello and the merchant of Venice being set in Venice, portrays jealousy, race and xenophobia. Shakespeares Othello predates the slave trade and biological classification. Othello being a Moor in Shakespeares time could relate to someone from the Middle East or Spain not necessarily Africa. Reference List Othello. (1965) film. Directed by Stuart Barge. GB: British Home Entertainment. {film} Othello. (1995) Directed by Olive Parker. GB: Warner Home video. {DVD} Colin, Phillip C. and Kuhn, Francis X. (2002) Othello: New Critical Essays Brockport Bookshelf. Book 218. Othello: A Critical Reader Robert. C. Evans Bloomsbury Publishing (2015) (T. Howard 2013) Othello at the National Theatre www.nationaltheatre.org

Shakespeares Othello - Desdemona the Ideal Essay -- Othello essays

Desdemona the Ideal  Ã‚        Ã‚  Ã‚   What wife can compare to the ideal wife which the Bard of Avon has painted for us in his tragedy Othello? She is appreciated by everyone except the villain.    Angela Pitt in â€Å"Women in Shakespeare’s Tragedies† comments on Desdemona as the ideal wife:    Handbooks of the period explain in some detail what is required of the ideal wife, and Desdemona seems to fulfill even the most conservative expectation. She is beautiful and also humble:    A maiden never bold Of spirit so still and quiet that her motion Blushed at herself. (I.iii.)    Her concern for Cassio shows her generosity, for she will intercede for him with Othello. She is wise, and also a ‘true and loving’ wife – ‘the sweetest innocent that e’er did lift up eye’. (44-45)    David Bevington in William Shakespeare: Four Tragedies describes the depth of virtue within this tragic heroine:    We believe her [Desdemona] when she says that she does not even know what it means to be unfaithful; the word â€Å"whore† is not in her vocabulary. She is defenseless against the charges brought against her because she does not even comprehend them, cannot believe that anyone would imagine such things. Her love, both erotic and chaste, is of that transcendent wholesomeness common to several late Shakespearean heroines [. . .]. Her â€Å"preferring† Othello to her father, like Cordelia’s placing her duty to a husband before that to a father, is not ungrateful but natural and proper. (221)    Blanche Coles in Shakespeare’s Four Giants interprets the protagonist’s very meaningful four-word greeting to Desdemona which he utters upon disembarking in Cyprus:    Othello’s four words, â€Å"O, my soul’s joy,† tel... ...mind behind the murder results in Iago’s murder of her. Gullible Othello, grief-stricken by remorse for the tragic mistake he has made, stabs himself and dies on the bed next to his wife, his sorrow being as deep as his love for Desdemona prior to Iago’s machinations.    WORKS CITED    Bevington, David, ed. William Shakespeare: Four Tragedies. New York: Bantam Books, 1980.    Coles, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.    Pitt, Angela. â€Å"Women in Shakespeare’s Tragedies.† Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.    Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.      

Baroque Era: Questions

Baroque Dates: 1600-17501. What does musical style mean? An expressive style of music 2. What was going historically during this era? What was life like? 3. Was did the term Baroque originally mean? An insult to describe a misshapen or oddly colored pearl 4. Why did early baroque composers favor homophony? 5. What texture did late baroque composers prefer? Polyphonic 6. The musical style of the Baroque era began in what country and then spread Throughout Europe? Italy 7. Church modes gradually gave way to what?Major/ minor scale/tonal system 8. Did instrumental music become Just as important as vocal music? 9. What are some harmonistic traits of baroque rhythms? Regular meter and bar lines are finally present: rhythmic patterns repeated throughout a piece. 10. What are some characteristic traits of baroque melodies? Elaborate and ornamental; not symmetrical (phrases not of equal length); melodic patterns. 11 . What are the dynamics like in Baroque music? 12. Were chords becoming more important? No 13. What voices or parts become more important?Bass- because of the choral structure (root of the chord in the bass), soprano?because of the melody lines. 14 . What is the basso continuo? What instruments play it? The bass line/part of the sic in addition to the group of instruments playing the part. Keyboard and a cello, bassoon, etc. 15. What was a baroque orchestra like? 16. What family of instruments were the most important? Strings 17. What is a movement? Did baroque compositions often consist of multiple movements? A movement is an independent section of a larger work, like a chapter of a book.It is often related in some way (by key structure or melodic or rhythmic motif) to the larger work as a whole. Baroque music was often segmented into movements, slow- fast-slow (French Overture) or fast-slow-fast (The confusion, or Italian overture), and not dance movements, as in Handel's Water Music or Bach's lute suites 18. What is the primary or most important way that the movements might contrast one another? Tempo 19. What is opera? What does it include? Where was it invented? Dramatic vocal form blending visual, literary, and musical arts, in which all dialogue is sung.Costumes, sets, props, and it's staged. Florence, Italy. 20. What is the libretto? The words to the opera 21 . What is an aria? More lyrical, song like portion of an opera. Not speech like, for a solo voice 22. What is a recitative? Rapid words advancing story quickly and clearly Eng, it imitates the natural rhythms of speech. Progresses the story. Only accompanied by the basso continuo. 23. What is a dad capo aria? Ternary (ABA) form. The text for both A sections is exactly the same. Singers typically ornamented or embellished the 2nd A Section 24.What is the ground bass aria? Has a repeated pattern in the bass 25. What is the first significant opera? L'Oreal 26. What is an oratorio? Like an opera but not staged; based on biblical stories 27. What is a passion? Type of oratorio based on the life, death, and resurrection of Christ 28. What is a chorale? A Lutheran hymn tune associated with German Protestantism 29. What is a church cantata? A very short onstage opera written for instruments and one or two voices in a single scene or situation 30. What is a sonata? Instrumental work with 4 contrasting movements.What are the different types? Solo, trio, sonata De camera, sonata De cheese 31 . What is a fugue? A carefully worked out polyphonic piece of music using a theme, subject or motive that occurs in all voices 32. What is a prelude? A rambling, improvisatory sounding piece that is often paired with and played before a fugue 33. What is a suite? Often called a Baroque or dance suite) A collection of dances. Written only for instruments. All dances were in the same key center to unify the dances. 34. What is a confusion? An Italian word for symphony. 35.What is the concerto gross? Small group and large group orchestra A solo concerto? Solo instruments and orchestra. How many movements does it have? 36. What is the arteriole form and how does it work? The first and last movements of concerti gross arena in the formed which is based on alternation between tutu and solo sections. Composers: Please include the following for each (l need to be able to ell that you read about them and did not Just Google them or use Wakefield, etc. And copied and pasted-read your textbook please) a. Dates b. Nationality c.Importance/major contribution d. Types of compositions e. Extra little tidbit 37. Claudio Monteverdi-Laotian composer of the first great opera, named Roofer 38. Henry Purcell- 1685-1750 English an early baroque composer; one of his famous works was dido and nanas. Born in 1659 39. Archangel Cornell-1 563-1713 Developed violin technique in addition to composing from his home country of Italy. Genres: sonata, concerto gross. Trio Sonata in C major, La Folia 40. Antonio Vivaldi- nicknamed the red priest an Italian composer practically invent ed the retooling form.Composer of the four seasons 41. Johann Sebastian Bach- 1685-1750 German composer who improvised on the pipe organ and was especially known for his fugues. He wrote in every Baroque style except opera. 42. G. F. Handel- 1685-1759 German composer who became an English citizen and wrote the messiah. Became the Experimenter for George, the elector of Hanover in Germany. Genres: Over 20 oratorios, opera serial, Orchestral suites, solo keyboard works, trio sonatas. Music for the Royal firework's, the water music.

Fast food †Ice cream Essay

Almost everyone enjoys to eating fast food because it is cheap. Many people these days prefer to eat food that makes their food fast and also they do not have to spend more than five dollars. This nation is surrounded with fast food restaurants and there is no one way people can miss one down their street and in every mall. I work at the mall and I tend to eat fast food since it is the only thing near me. My three favorite fast food restaurants which are Wendy’s, Dairy Queen and Steak –n- Shake. One of my favorite fast food restaurants is Wendy’s. When I was in high school at the beginning of my senior year I worked at Wendy’s and of course I ate their food since I had a fifty percent discount so the food was really cheap. I always craved the spicy chicken nuggets with sweet and sour dipping sauce. Ever since I worked there I know how each dipping sauce taste when I always ordered the spicy chicken nuggets. I love the honey, barbeque, honey mustard, ranch and of course my favorite sweet and sour sauce. I also loved how my manager prepared the sweet tea because it was not too sweet and actually tasted like homemade sweet tea. I am a fanatic of sweet tea and pretty much have tried it at every fast food restaurant I have eaten at. Also I love to enjoy my combos with a dessert. I usually get a small chocolate frosty. I love the taste of it because it reminds me of chocolate milk. Also because it is very creamy and sweet this is a great combination for dessert. These are all the many favorite things I love to eat at Wendy’s. My second favorite fast food restaurant is Dairy Queen. They have the best desserts there such as the blizzards, the sundaes, banana splits, their famous waffle cone ice creams and the DQ ice cream sandwich. I always tend to eat the ice cream cones because I do not have to spend that much money the cones cost one dollar depending on the size. When I am at my aunt apartments my cousins and I always walk to Dairy Queen since it is not too far from the apartment just three to five minutes walking. We go there every time when we are hungry or we just go there to talk and eat some food. It also provides free internet which is great to check Facebook or our emails. Also it has a great video game player for when we bring our little sister and cousins so they will not get bored. Another reason I love eating at dairy queen is their chili cheese fried burritos. They are so delicious and juicy especially when they put the chili all over it and sprinkle some shredded cheddar cheese. I love to eat at Dairy Queen. My third favorite fast food restaurant is Steak-n-Shake. I always wish Mesquite had one but they do not so I have to drive all the way to Rockwall to go to Steak-n-Shake which is 20 to 30 minutes from my home. I love it there especially there juicy Cheddar Cheese Steak Burger combo which is good money spent because it is only $4. 99. I love how the food is very affordable and of great quality. I also love to get their famous milkshakes. My all-time favorite is the chocolate chip cookie dough. It has chunks of cookie dough mixed with tasty creamy vanilla ice cream. This fast food restaurant is not like not ordinary fast food place because it provides waiters and it provides amazing fast food service. It usually takes 5 to 10 minutes to have my food ready which overall is great. I never get tired of going to Steak-n-Shake because of its great quality of food and service. Fast food may not be good for us at times but it is delicious. All three of these fast food restaurants Wendy’s, Dairy Queen, and Steak-n-Shake are my favorite because reasons I enjoy eating their food. They all provide great quality of food, fast service and cheap prices. I enjoy these fast food restaurants.